Curtis: August 2008 Archives

Artist's Statement Fragment

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I have decided to write an independent statement for each major medium I work in. This is a fragment of my first draft for ceramics:

I work with clay for the simple joy of working with clay. My work is very much related to a balance or harmony between characteristics. Working on the wheel allows me to begin each piece from center, a common starting place, and a place where anything is possible. Clay is a very flexible medium, I can make it be tight and confined, such as with my vases and bottles, or I can make it wide and revealing as with my many bowls.

Each piece has a different meaning to me. Everything I create has some purpose as a vessel. These vessels hold things, and give things a place to exist. My bottles, with their small openings, are places of great security, on the brink of confinement, but not quite. My bowls are the opposite, they are open and inviting, seeking to form a relationship with a person. My bowls are never identical, most are not even similar, these are bowls to belong to someone. To me, bowls are involved in a possessive relationship. My bowls do not belong in dinnerware sets, they belong to a person.

Recent Work - Summer 2008

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Looking back on the last two weeks I feel more like a ceramic artist now than I have in a while. I like everything I have made and have been proud to send it through the kiln. I have also made more work and spent more time working on ceramics than I think I have in this period of time before. A lot of my throwing in the past, outside of an academic environment, has been very random and almost spastic. I have been making whatever came off the wheel, but in the last few weeks I have been declaring things that I was going to do, or at least attempt. I dared to try a rolled lip, it worked out. I tested the limits of "squared" bowls (bowls with a harsh angle and not a curve) and they fought back, but I still got some good examples from it. I held my breath and put my weakest bottle on its head to trim, they were resilient. I have had more kiln loads running in the last few weeks than I used to do in a month. Doing all of this makes me feel good, it makes me feel like a ceramic artist, or at the very least, a potter.

Picking a new clay body (Standard 563) was very important to this happening, it has made me feel like I am starting again with things, and taking off in a more positive direction. I am also working with a stoneware body again, not falling back to earthenware, so it is like I am growing up ceramically.

I feel like I am getting a lot done lately, but I look over at my bisque shelves and see lots of very white pieces that really need to be glazed. I really hate glazing, I must be a potter.